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<?xml-stylesheet type="text/xsl" href="../assets/xml/rss.xsl" media="all"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Tim Gorichanaz (Posts about Aesthetics)</title><link>http://timgorichanaz.com/</link><description></description><atom:link href="http://timgorichanaz.com/categories/aesthetics.xml" rel="self" type="application/rss+xml"></atom:link><language>en</language><copyright>Contents © 2021 &lt;a href="mailto:tim.gorichanaz@gmail.com"&gt;Tim Gorichanaz&lt;/a&gt; </copyright><lastBuildDate>Sat, 24 Apr 2021 22:34:42 GMT</lastBuildDate><generator>Nikola (getnikola.com)</generator><docs>http://blogs.law.harvard.edu/tech/rss</docs><item><title>Understanding and Information in the Work of Visual Artists</title><link>http://timgorichanaz.com/writings/Academic/understandingartists/</link><dc:creator>Tim Gorichanaz</dc:creator><description>&lt;div&gt;&lt;div class="preprint"&gt;
&lt;p&gt;Gorichanaz, T. (2020). &lt;a href="https://doi.org/10.1002/asi.24286"&gt;Understanding and information in the work of visual artists&lt;/a&gt;. &lt;em&gt;Journal
of the Association for Information Science &amp;amp; Technology, 71&lt;/em&gt;(6), 685–695.&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Abstract&lt;/strong&gt;. To better account for information behavior in everyday life, the field
must more fully explore information phenomena in the lifeworld, i.e.,
information experience. This paper shows that one way to do this is
through the concept of understanding. Visual art is identified as an
illuminating domain for an initial foray into such research. This paper
presents findings from a phenomenology-of-practice study of the
information behavior of visual artists. Seven local artists documented
their experiences creating self-portraits, and semi-structured follow-up
interviews were conducted. The findings show how these participants
built understanding with information in their work of creating
individual self-portraits. These understandings fall into two
categories: of the self and of the artistic process. Many forms of
information, traditional and novel, contribute to these understandings;
examples of the latter include memories, the lived environment, profound
experiences, and online browsing. These findings extend the literature
on artists' information behavior, connect everyday information behavior
to information experience, and illustrate a method for studying
understanding empirically in information science. The paper closes by
discussing the meaning of these findings for the future of information
science, suggesting that the kinds of information employed by artists
might be recognized and appreciated more widely throughout society.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://timgorichanaz.com/writings/Academic/understandingartists/"&gt;Read more…&lt;/a&gt; (42 min remaining to read)&lt;/p&gt;&lt;/div&gt;</description><category>Aesthetics</category><category>Art</category><category>Phenomenology</category><category>Philosophy of Information</category><category>Understanding</category><guid>http://timgorichanaz.com/writings/Academic/understandingartists/</guid><pubDate>Mon, 01 Jul 2019 04:00:00 GMT</pubDate></item><item><title>Information Experience in Personally Meaningful Activities</title><link>http://timgorichanaz.com/writings/Academic/experiencemeaning/</link><dc:creator>Tim Gorichanaz</dc:creator><description>&lt;div&gt;&lt;div class="preprint"&gt;
&lt;p&gt;Gorichanaz, T. (2019). &lt;a href="https://doi.org/10.1002/asi.24142"&gt;Information experience in personally meaningful activities&lt;/a&gt;. &lt;em&gt;Journal of the Association for Information Science &amp;amp; Technology, 70&lt;/em&gt;(12), 1302–1310.&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Abstract&lt;/strong&gt;. Information behavior in activities that are freely chosen has been
little explored. This paper conceptualizes personally meaningful
activities as a site for information behavior research. Personal meaning
is discussed as a necessity for human being. In the information age,
there is an ethical directive for developers of information technology
to promote and afford personally meaningful activities. This paper
builds on discussions of the pleasurable and profound in information
science conceptually and empirically. First, it argues for the necessity
of phenomenology in these discussions, which heretofore has been mostly
absent. Next, it presents results from a qualitative, empirical study on
information in personally meaningful activities. The empirical study
uses interpretative phenomenological analysis to examine information
experience in three domains of personal meaning: Bible reading,
ultramarathon running, and art-making. The following themes emerge and
are discussed: identity, central practice, curiosity, and presence.
Opportunities for technological development and further research are
outlined.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://timgorichanaz.com/writings/Academic/experiencemeaning/"&gt;Read more…&lt;/a&gt; (35 min remaining to read)&lt;/p&gt;&lt;/div&gt;</description><category>Aesthetics</category><category>Personal Meaning</category><category>Phenomenology</category><category>Philosophy of Information</category><category>Understanding</category><guid>http://timgorichanaz.com/writings/Academic/experiencemeaning/</guid><pubDate>Sat, 01 Sep 2018 04:00:00 GMT</pubDate></item><item><title>Information and Experience, a Dialogue</title><link>http://timgorichanaz.com/writings/Academic/dialogue/</link><dc:creator>Tim Gorichanaz</dc:creator><description>&lt;div&gt;&lt;div class="preprint"&gt;
&lt;p&gt;Gorichanaz, T. (2017). &lt;a href="http://www.emeraldinsight.com/doi/full/10.1108/JD-09-2016-0114"&gt;Information and experience, a dialogue&lt;/a&gt;. &lt;em&gt;Journal of Documentation, 73&lt;/em&gt;(3), 500–508.&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Abstract&lt;/strong&gt;. &lt;em&gt;Purpose:&lt;/em&gt; Scholars in information science have recently become interested in “information experience,” but it remains largely unclear why this research is important and how it fits within the broader disciplinary structure of information science. The purpose of this paper is to clarify this issue. &lt;em&gt;Approach:&lt;/em&gt; The discussion unfolds in the form of a philosophical dialogue between the Epistemologist, who represents the traditional and majority epistemological viewpoint of information science, and the Aestheticist, representing the emerging paradigm of experiential information inquiry. &lt;em&gt;Findings:&lt;/em&gt; A framework emerges that recognizes dual conceptualizations of truth (veritas and aletheia) and consequently information and knowledge (gnostic and pathic). The epistemic aim of understanding is revealed as the common ground between epistemology and aesthetics. &lt;em&gt;Value:&lt;/em&gt; The value of studying human experiences of information is grounded in work spanning philosophy, psychology and a number of social science methodologies, and it is contextualized within information science generally. Moreover, the dialogic format of this paper presents an opportunity for disciplinary self-reflection and offers a touch of heart to the field.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://timgorichanaz.com/writings/Academic/dialogue/"&gt;Read more…&lt;/a&gt; (23 min remaining to read)&lt;/p&gt;&lt;/div&gt;</description><category>Aesthetics</category><category>Phenomenology</category><category>Philosophy of Information</category><category>Understanding</category><guid>http://timgorichanaz.com/writings/Academic/dialogue/</guid><pubDate>Sun, 01 Jan 2017 05:00:00 GMT</pubDate></item><item><title>Beautiful and Sublime: The Aesthetics of Running in a Commodified World</title><link>http://timgorichanaz.com/writings/Academic/beautifulsublime/</link><dc:creator>Tim Gorichanaz</dc:creator><description>&lt;div&gt;&lt;div class="preprint"&gt;
&lt;p&gt;Gorichanaz, T. (2016) &lt;a href="http://www.tandfonline.com/doi/full/10.1080/00948705.2016.1206826"&gt;Beautiful and sublime: The aesthetics of running in a commodified world&lt;/a&gt;. &lt;em&gt;Journal of the Philosophy of Sport, 43&lt;/em&gt;(3), 365–379.&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Abstract&lt;/strong&gt;. In the United States, running as a leisure activity continues to grow in popularity. Healthism can explain some of this popularity, but it does not explain ultra-distance running. Motivations for running can be seen through the framework of the Kantian beautiful and the sublime. Beauty arises through extrinsic motivation (e.g., products, physique, competition) and relates to an economy of form, while the sublime arises through intrinsic motivation (e.g., life meaning) and relates to confronting the challenge of infinity. The commercial, casual and competitive aspects of distance running correspond to the beautiful, while its wilderness, serious, ultra-distance aspects correspond to the sublime. This framework is used to explain the resistance of ultrarunning to the would-be detrimental effects of commodification, as well as ultrarunning's "wild turn."&lt;/p&gt;
&lt;p&gt;&lt;a href="http://timgorichanaz.com/writings/Academic/beautifulsublime/"&gt;Read more…&lt;/a&gt; (29 min remaining to read)&lt;/p&gt;&lt;/div&gt;</description><category>Aesthetics</category><category>Running</category><guid>http://timgorichanaz.com/writings/Academic/beautifulsublime/</guid><pubDate>Tue, 01 Nov 2016 04:00:00 GMT</pubDate></item></channel></rss>